Like the moon, each one of us is in a specific phase.
Do we know which phase we are in? Are we in a phase of our own choosing?
If I was a lunar phase which one would I be? Waxing? Waning? A full moon or a new moon?
Perhaps we go through cycles where there is no end or beginning, but rather an ongoing flow in this space time continuum.
Today however, I paused in the cycle.
Coming to the close of my 30 paintings in 30 day challenge, I took time to reflect back and set a new intention on what’s next in my path as artist. Contemplating colors while I refilled the wells in my paint palette, I picked out new tubes of colors to try while I cleaned out older colors. I felt a gentle shift while I set up for a new painting phase.
I also refilled the watercolor palettes my students will use. I teach art regularly now.
Sharing and supporting others is a form of pay back and a way to pay it forward.
They say that teachers aren’t in it for the income, bur rather the outcome.
Holding this new intention I will see where this new phase leads me.
Using the Picture Plane to draw and see more accurately.
In this week’s drawing workshop we continued exercises from Betty Edward’s book Drawing from the Right Side of the Brain™*. I had ordered some acetate “picture planes” from her site that we used to trace our hands in foreshortened view. Afterward we used the picture plane drawings as guides to help us drawing directly from our hands. Foreshortened views of the hand are challenging for artists at all levels. My students were able to focus their attention for over an hour as they completed their drawings. I’m excited to see how they expand their seeing and drawing abilities as a result of these workshops.
Join us! The next class is scheduled for October 13th, 2019 in Seaview Estates, Pahoa Register
*Drawing on the Right Side of the Brain™ is a book by Betty Edwards that since 1979 has been helping individuals learn to draw by tapping into the power of their own “right brains.
The focus of my most recent drawing workshop was about how to draw and paint more accurately.
We warmed up with right brain exercises which helps the mind let go of the thinking side and move toward the intuitive side. I had my students get get their paper and pencil ready to draw, but and then asked them to turn their heads to look away at their other hand. They were then asked to draw blind contour drawings of their hands. They could not look at their drawings until they were done.
Then we shifted to drawing using direct observation to study some beautiful orchids I had just gotten at the orchid show in Hilo last week. I had the students start with pencil line and do drawings of the flowers as accurately as possible. Afterward they could add watercolor wash over the pencil drawing to augment the drawings with color. My students created some beautiful studious artwork that I’m very happy to share.
I finally did it. I took the plunge and decided to explore alcohol ink.
Since joining instagram two years ago I discovered and started following my favorite artists using alcohol inks. The fluidity, globular, diaphanous, featherlike, dripping, vibrant, and windblown qualities of alcohol inks were just too compelling. So I spent the last few weeks weeks studying Youtube how-to videos, learned some techniques and decided to offer a workshop using them.
The class was well attended and luckily for my students and myself, we found there’s almost no way to go wrong.
That is to say, you can go WRONG if you try to CONTROL them. Believe me… I have tried!
Using alcohol inks offers the ultimate opportunity of letting go and remaining non-attached to outcome. One really has to stop trying to control the outcome and allow the medium to express itself. Results are beautiful, unexpected and best when we just let alcohol ink do what it does without forcing it. One has to let it flow, expand, bloom, merge, drip, dry and do what the medium does, without fussing or trying to make it do something specific. It’s harder to control than watercolor at the level of experience I have now, but I suspect it will always lend itself to the truly unpredictable.
That’s why it’s so fun. The vibrancy of the colors are also exciting. I am challenged to explore alcohol ink further and perhaps take it beyond making just another pretty abstract painting.
This week marks the first 2019 art workshop I led in Intuitive Painting using Watercolor. My commitment for this year is to offer a monthly art workshop in my studio in Hawaii. Sharing the creative process and encouraging others in their artistic pursuits is as important to me as an artist as it is to do my own artwork.
This week we worked with the circle as a format. I have found that the circle lends itself to abstraction more than the rectangle. The rectangle is ubiquitous, the shape that we so often choose in making art that we don’t even question it form. Most paintings are done on rectangular shaped canvases or rectangular pieces of paper. Even the shape of our computer screens, tablets and phones are all rectangular. Our eyes are saturated by seeing and reading in rectangle format.
The circle is less commonly used in art and therefore offers a bit more of a surprise. There is less to associate in the circle with previous forms of art. The circle is a wonderful choice in formats because it lends itself to abstraction. There is no implied vertical or horizontal and it can be tilted and seen at any angle. I was pleased to see the beautiful paintings and creative exploration in this Sunday’s workshop. Stay posted as I will be offering first Sundays each month as dates for my painting workshops for 2019. See Workshops
Hawaii Contemporary Art Show
I’m very pleased to be showing this month in the juried exhibition at the East Hawaii Cultural Center. I created a triptych of three new abstract watercolors to submit to this show. I had been focusing on my representational work for a number of years but returned to my abstract work for consideration to this exhibit. It was refreshing to let my intuition be my guide and create purely abstract forms, colors and shapes.
The show represents contemporary artwork by Hawaiian artists and is juried by Henry Bianchini, a talented and well established Big Island sculptor and painter. The show opened September 7th in Hilo for First Fridays art walk. It’s exciting to be a part of the community of many talented artists who have made Hawaii their home and developed their art here. The show was well attended and will stay open for the month of September.
Available to purchase
Kilauea Lava Eruption
I haven’t posted in nearly two months. Right after my return from teaching in Maui in early May, the volcanic eruption of Kilauea began on the east rift zone in lower Puna on the Big Island of Hawaii. Molten lava started to flow from fissures just four miles from my home. I left the island to visit my family home in Connecticut just days after the eruption began. My trip had been planned months earlier and I was grateful to be 6000 miles away in a safe place where I took refuge with my family during the following weeks.
I have been watching news from afar as the lava continued to flow over much of lower Puna, destroying hundreds of houses and leaving many people homeless in its wake. I gazed hopelessly as I watched gorgeous coastal areas, tide pools and roadways get covered by 40 foot thick walls of black lava. This has been a heart wrenching time for myself and to so many who lost their homes and dreams in Hawaii. I’m fortunate that my house and subdivision has been spared destruction. There is no immediate threat to my neighborhood at the moment and I will return to my home in Hawaii in just a few days.
Only recently have I felt drawn to pick up my brushes and begin to capture in paint some of the images and videos posted online of the billowing laze, fumes and smoke as the lava enters the ocean. I am curious to see how my art will reflect this changed landscape when I am back on the island.
Earlier paintings I have done of Hawaii and the scenes of the Red Road are even more precious to me now than before. Without doubt this experience has been a lesson in the impermanence of life and a strong reminder to not take any moment for granted.
The last two weeks went by so fast teaching at Hui No’Eau on Maui. Both the watercolor and the abstract painting workshops were full, and the students that attended were an amazing group of creatively inspired adults who sought to expand and explore their creative potential. I feel so grateful and honored to have been invited to Maui to teach at the Hui. I look forward to return visits. After all I’m just an island away.
To be able to travel, paint and teach art has been a goal of mine for quite some time.
So being invited to teach art in Maui at the Hui No’Eau is truly a dream come true.
Just a few months after moving to the Big Island of Hawaii last year, I was contacted by Hui No’Eau to come teach my workshops there as a visiting island artist. The school is a nonprofit, community art school in Maui, situated on one of the historic Baldwin estates. It has a view of Haleakala to one side and the distant coast to the other side. It’s upcountry, surrounded by rolling hills, lush vegetation and meadows. The school itself is set on 22 acres with a variety of buildings for arts and craft disciplines. The main gallery shows work by contemporary artists and the classes are well attended.
Yes.. it’s real. I taught my first workshop this weekend at Hui No’Eau called Tropical Expressions using Watercolor and Collage. It was a full class and so much fun to teach. Sharing my knowledge and inspiring others to tap into their creativity is truly my ultimate dream. Next weekend I teach abstract painting using acrylics on paper.
During the week my plan is to reconnect with island friends and paint, paint and paint. Maui is first island of the Hawaiian islands that I visited and first island I loved. The Big Island is where my soul lives now but Maui is still one fabulous place to visit.
Aloha! I was so happy to teach watercolor again here on the Big Island. It was the first workshop I gave since I moved to Hawaii. I welcomed new students and was thrilled to have returning students as well. Some had experience painting with watercolor and others were painting for the very first time. Everyone enjoyed trying some new techniques that I demonstrated and discovered how fun it is to play with this colorful and fluid medium. Students created lovely images during a very rainy afternoon. Fortunately we had use of a large, light-filled studio so that we could spread out and stay dry despite the afternoon deluge. I’ll be offering continued workshops so please check my Workshop schedule for art classes I will be teaching here on the island.
My collector painted her walls to match my paintings!
What a trip! I’ve been traveling for over two weeks now, visiting my friends in California. Lucky for me I have been able to stay as a guest in beautiful homes and settings from Marin county to Santa Cruz, San Francisco, Los Angeles, and Berkeley. Recently I spent a few nights with my collector in Berkeley and had the joy of not only visiting her, but my paintings as well. This year’s theme for me has been a wondrous retrospective, as I’ve revisited so much of my past art and have been so inspired by my earlier paintings.
Wow! Talk about creative juices flowing. I just returned from an off-the-chart inspiring painting retreat in Cape Cod with my two painting buddies… Laura Levine and Clay Fried. We took off the day after our art opening at the New Haven Public Library Ives Gallery, with my painting group, CALM. The three of us went on the same painting retreat last year, and i hope it becomes an annual Cape Cod art inspired trip every year.
I perched in Truro which is likely the most gorgeous spot on Cape Cod. The light is completely magical on the Cape. Being a slender slice of land flanked by two bodies of water, the reflected light creates luminosity wherever you look. If you’re an early riser like me, you can catch the glorious sunrise over the ocean on the vast beaches. One can also see sunsets on the bay side. Cape Cod offers glowing vistas from just about everywhere — from undulating sand dunes, ever changing shadows and sunlight, incredible cloud formations, cliffs and ocean views, and classic rustic Cape Cod houses and gardens. Everything calls out to be painted.
Painting alongside two accomplished painters, Clay Fried and Laura Levine, my week in Cape Cod was as an inspiration on many levels. I painted more in the last week than during the entire last year! May this be a kick start to a fruitful year of creativity and painting.
My painting group had a wonderful art opening on June 26th in New Haven at the New Haven Public Library, Ives Gallery. Our group that we call CALM is named after the first initial of our first names: Clay Fried, Abbie Rabinowitz, Laura Levine, and Mark Patnode.
We all went to art school together nearly 40 years ago where we studied together with the same teachers. Several years ago we got together after many years apart, and started painting together. We are pleinair painters and enjoyed finding locations in the CT area where we could meet, paint, critique, and inspire one another. We had discussed having a show together and finally found our venue when we were accepted to show in New Haven at the Ives Gallery as a group. Inspired by nature, we titled our show Nature Calls for CALM.
As far as I’m concerned it’s never too early to prepare for an art show. Even though it’s still just May, and I have a full month to get ready for my show at the end of June, I hate panicking prior to an exhibit doing last minute preparation. Along with this show, I am also planning on relocating to Hawaii later this summer. Simply put, I am in the midst of a big project that includes packing, storing, and choosing which possessions to keep, ship, sell, or let go of. Getting ready to move 6000 miles away is quite a process!
Matting and framing art
I narrowed down which paintings that I want to show, choosing to exhibit my watercolor landscapes for my painting group’s show Nature Calls in New Haven. Of course watercolors need mats and frames. I hadn’t cut mats in a while, but I warmed up after cutting several mats using my trusty Logan mat cutter. The first few attempts were rejects but I got the hang of it after awhile. A jaunt to Ikea was in order to pick out some more of the neutral silver frames I like. Now I’m feeling more or less ready to show in June, and am delighted to see how my watercolors look matted and framed. They were gems already, but behind glass and framed, they look stunning. Hope some of you get to see the show opening June 26th in the New Haven Public Library, Ives Gallery.